The Impro Train rides again on 22 July. Three sets:
19.00 Giuseppe Doronzo solo reeds | Mother Tongue – tickets here
20.30 Natalio Sued solo reeds | Mother Tongue – tickets here
22.00 Ab Baars solo reeds | Mother Tongue – tickets here
Or choose a concert package and hear all three soloists and see how Mother Tongue rises to the challenge (as they surely will) of presenting three different and equally exciting shows.
Interviews by Kaja Draksler
Susana Santos Silva
Szymon Gąsiorek: drawings
Maga Ćwieluch: graphic design and DTP
On Innovation and the Future of Music (and art) is a collection of interviews by Kaja Draksler and drawings by Szymon Gąsiorek. The seven conversations with musicians of different age, background and origin, took place between April and July 2020, mostly via email.
The artists talk about their ideas about the future of music and their relationship with the concept of innovation and legacy.
The Impro Train is back, baby!
Three sets by two ensembles. Go to one, go to them all, either way it’ll be a fabulous evening.
Saxophone, piano and percussion form the sound of Hupata!, alongside a wonky, wobbly, rickety, going hog wild wagon filled with toys, which transform and take shapes of birds, elephants, camels, taking you for a journey.
Workshop 11.00 -13.30 and 14.30 – 17.00
Doek has been offering a series of workshops at the wonderful Amsterdam venue, Splendor. The past few months we’ve had to cancel workshops because of corona regulations so we’re very excited that Eric will be able present this workshop Saturday. If you’ve been missing opportunities to work with other musicians, here’s your chance!
“In my workshop I would like to work with you on solo playing within a group context also known as collective improvisation.
Mother Tongue – Molla Sylla voice/mbira/xalam, Oscar jan Hoogland electric clavichord and Frank Rosaly drums – recently recorded a great half hour piece in de Rode Bioscoop as part of the Amarte Concert Series. Enjoy watching the trio at work – we also recommend hooking up to some good speakers for real closed eyes listening pleasure.
Thanks to the Roode Bioscoop, to Isla van Hout for the production, to the camera people and to Marc Schots for a more that fantasic recording.